Helmed by Portishead co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game releases in British and Irish theaters from November 17.
